Vol. XIV / 2024

 

INSIDE COVER

Contents

Laurent Milesi and Marta Segarra - Introduction: What Remains Today – Jacques Derrida

Hélène Cixous - The Cat and the Castle

DECONSTRUCTION YET AGAIN

Ginette Michaud - Of the Virus and Its Variants: On Resentment, Racism and ‘Wokeism’

Michael Naas - Jacques Derrida’s Secret Pedagogy

Francesco Vitale - The Affirmation of Deconstruction – Perhaps

PLUS D’UN(E)…

Geoffrey Bennington - Derrida on the Line: Scattered Reflections on the Frontiers, Borders, Limits and Ends of Deconstruction

Stéphane Herbrechter - Fidélité à plus d’une langue

Peggy Kamuf - A plus d’un titre

ARTS OF DECONSTRUCTION

Oriol López-Esteve - Analphabetic Writing: Choreography after Derrida

Marta Segarra - A Reflexive Gaze on Art History: ‘Pregnances’

Naomi Waltham-Smith - Forgiveness Is Not a Musical Instrument

(RE)READINGS

Philippe Lynes - The Arche-Forest and the Clinging Instinct: Imre Hermann Between Derrida’s Brackets

Laurent Milesi - Cuts and Tricks: Replaying Derrida’s Take on Lacan’s ‘Seminar on “The Purloined Letter”’

Eric Prenowitz - Everything-Is-Well-Said Living Beside Me in the Process of Continuing: Jacques Derrida as Writing-Writer Reader of Hélène Cixous

REVIEWS / REVIEW ARTICLES

Léonore Brassard - A Review of Isabelle Alfandary, Anne Emmanuelle Berger and Jacob Rogozinsky, eds. Qui a peur de la déconstruction?

Janice Sant Balzan - Contexturizing the Hélène Cixous and Jacques Derrida Archive. A Review of Laura Hughes, Archival Afterlives: Cixous, Derrida, and the Matter of Friendship

CONTRIBUTORS